Can you use a propane torch to fuse silver?

Posted by Leah on Sep 22, 2008

The answer to this question is definitely yes - you can use a propane torch to fuse silver. In fact, the only torch I use is a propane torch I bought at the hardware store, and it works great for fusing and soldering silver. I’ve used it with sterling, argentium, and fine silver. I’ve also used it to anneal copper & solder copper using silver solder.


Lead in Jewelry

Posted by Leah on Dec 11, 2007

A new law is going into effect very soon in California to protect consumers from lead poisoning in jewelry. Many base metal and plated or painted products contain lead, so to be safe, when purchasing jewelry *ask* what it is made of and if any materials contain lead. Once the new law goes into effect, jewelry containing lead will have to be labeled as such & have a warning about the effects of lead.

Silver, copper, and gold do not contain lead. Some metals that may contain lead are silver plated, gold plated, and pewter.

Pearls and gemstones do not contain lead.

Most glass beads do not contain lead, but many crystal beads such as Swarovski crystal, are made with lead. Unlike plated metal, however, the lead in Swarovski crystal is not ingestible, according to this notice on the Rings and Things website about lead in jewelry products. In other words, it appears that Swarovski crystal is safe despite being made with lead, because it is impossible to ingest the lead. I recommend reading the entire article on the Rings and Things site about lead - it is very informative.

When purchasing jewelry or other gifts this holiday season, use common sense, and never put something in your mouth if you think it might contain lead - and don’t give jewelry to young children if any of the materials could contain lead.


Jewelry 101: Pickle

Posted by Leah on Sep 6, 2007

Pickle is used to clean oxidation and flux residue off of metal. It is an acidic solution that you can buy from a jewelry supply store, or you can make a do-it-yourself version at home. Pickle can be stored in a glass jar or a ceramic crock pot. It works faster if it’s heated up, which is why a lot of people use a crock pot. It helps to keep pickle in a closed container so that the liquid doesn’t evaporate as quickly.

I use a product called Ph minus for pickle, which is an acid that lowers the Ph level in pools and hot tubs. I dissolve a little of this in water, and it works well for me. I don’t bother heating it, since it works fine cold, just takes a bit longer.

Other DIY versions of pickle that I’ve heard of include using Simple Green (the household cleaning product), lemon juice, and vinegar. I can’t vouch for how well these work since I’ve never tried them, but they are all inexpensive and safe, so they might be worth a try.

To use pickle, drop your oxidized metal in and wait for the oxidation to come off. Avoid touching the pickle in any way with steel (such as steel tweezers) because this will automatically copper plate everything you are trying to clean. Copper tongs are available for dropping items into pickle and then fishing them out later. Since pickle is an acid, even if you use one of the milder at-home versions, you might not want to get it on your skin, so copper tongs or even some wood chopsticks are useful to get your jewelry in and out of the pickle.


Jewelry 101: Wire Gauge

Posted by Leah on Aug 16, 2007

Metals like silver and gold can be purchased for jewelry making as wire. Wire comes in different sizes, and the size of the wire is called its gauge.

There are different systems, so I’m just going to talk about the gauge system commonly used by U.S. jewelry supply companies, since that is the system I’m familiar with.

The bigger the gauge number, the thinner the wire. 14g (g = gauge) is thick, sturdy wire. 24g is thin, and 30g is so thin it’s almost hair-like. The thickness of wire normally used for earwires is usually between 22g to 20g. Really small gauge numbers, like 3g, are more like dowels than wire.

Obviously, a variety of gauges of wire can be useful for different aspects of jewelry making. I use very thin wire if I’m wrapping around a frame of some sort, and I use much thicker wire to form the frames of my wire pendants. 20g is my favorite for earrings. If I’m making headpins with wire, the gauge I use is usually the thickest gauge that will fit through the hole of the beads I’m using in my design.


Jewelry 101: Making Headpins

Posted by Leah on Aug 8, 2007

I enjoy making my own silver head pins by melting a ball of metal at the end of a piece of wire. It’s fairly easy to do, and enables you to always have the length you need in the gauge you need for a project.

I use a slightly different technique depending on which type of silver I’m using - sterling, fine, or Argentium. Whichever metal you use, you will need a torch. I use a propane torch, but butane torches also work, although for thicker wire it can be hard to get the flame of the butane torch big/hot enough. Other options are acetylene/oxygen and oxygen/propane, but butane and propane torches are cheap & available at the hardware store.

Using fine silver is the easiest, because you don’t need flux or pickle, just a torch and some tweezers to hold the wire. A heat-resistant surface to let your headpins cool is desirable, and always be safe and use proper ventilation and eye protection when using a torch. Cut a piece of wire slightly longer than you want your headpin to be - maybe 1/2 inch longer. Hold one end of the wire with the tweezers, with the other end of the wire pointing down. Point the torch flame at the end of the wire that is away from your tweezers, and watch a little ball of metal appear! The longer you keep the torch there, the bigger the ball will be - but if it gets too big, it might fall off, so be careful.

I like to use Argentium silver for making headpins. With Argentium, I use basically the same process, except I used the tiniest little bit of flux on the wire end where I’m making the ball. If you use too much flux, you’ll have flux residue, which has to be removed, but if you use just enough, you’ll end up with a nice looking head pin that doesn’t require clean-up at all. If the wire above the ball gets slightly discolored, quickly passing the flame over the discolored part will usually turn the wire silver again.

With regular sterling silver, there is always some clean-up involved, unless you are going for the oxidized (black metal) look. I don’t bother with flux, and start by following the same process as for fine silver. You end up with a head pin that has a very blackened end. This can be cleaned up by soaking in pickle, or by using an abrasive to polish off the oxidation. I like to use a piece of a green kitchen scrubber sponge to polish off most of the oxidation, leaving a slightly rough look. If I want my headpins to be perfectly shiny, I don’t usually use sterling, since it’s easier to get nice shiny head pins with fine silver or Argentium, but if you want clean and shiny sterling head pins, use pickle to remove oxidation, and then toss the finished head pins in a tumbler with stainless steel shot and water for a few minutes.

You can also make head pins by bending the end of a piece of wire into a nice looking shape, such as a spiral. All you need for this method are some pliers and a little practice bending the wire into the shape you want without marking it. When I make head pins this way, I like to lightly hammer the shape I’ve made to harden the wire a little bit.


Jewelry 101: Finishing Wire Ends

Posted by Leah on Jul 31, 2007

I make a lot of jewelry using wire - in fact, nearly everything I make incorporates wire in some way, even if it’s just a wire head pin or an earwire.

One problem beginning wireworkers have is that when you cut a piece of wire, the ends feel sharp and jagged. To make wire jewelry look and feel smoother and more finished, it is necessary to smooth out the ends of the wire.

Luckily, this is not difficult, it just takes a little bit of time.

Here are just a few ways I’ve smoothed wire ends:

  • Using a cup burr - cup burrs are used with dremel-type machines or flex shafts, and come in different sizes for different wire gauges. If you use a cup burr to smooth the end of your wire, they will become slightly rounded, so this is a good method for finishing ear wires. Cup burrs & flex shaft machines are available through jewelry supply companies - but there are several simple methods that don’t require special eqiupment.
  • Using sandpaper - wet/dry sandpaper can bu used to smooth out wire ends. I especially like the sanding pad that are sold at hardware stores. A relatively fine grade - 300-400 - will work well.
  • Jeweler’s files or needle files from the hardware store - using files is quick and easy and with a little practice, you can get very smooth, flat wire ends using files.
  • Sharpening stones - a lot of wireworkers I know swear by using sharpening stones. There are special stones made for sharpening fish hooks that have a little groove, and you just swipe the wire through the groove a couple of times for a smooth, slighlty rounded end. Flat sharpening stones also work, but won’t automatically shape the wire end the way the grooved stones do.
  • Fingernail files - this is one of my favorite tricks, if I’m working away from my studio. Fingernail files are great for smoothing wire ends, and they come in many different grades, and are easy to find at drug stores and grocery stores.

Jewelry 101: Flux

Posted by Leah on Jul 19, 2007

I’m writing a series of short articles on jewelry making basics, called Jewelry 101. You can click on Jewelry 101 under “categories” in the right-hand column to see all the articles (this one is the first). Even if you aren’t interested in making your own jewelry, it might be interesting to learn a little bit about the basic tools and processes I use to create jewelry. Now, on to my first topic: flux.

Flux is a liquid or paste applied to metal when heating the metal. There are many different kinds of flux on the market, and they all work for different temperature ranges. In jewelry making, when using a torch to solder or fuse metal, it is important to get a flux that is intended for use at very high temperatures. This means that flux sold for use with soldering irons probably will not withstand the amount of heat a torch gives off, so make sure that the flux you buy is appropriate for use with a torch.

Flux protects silver from firescale while heating, and prevents oxidation of metal. It is always used when soldering, as the solder will not flow properly if flux is not applied to the solder & the area it should flow into. Flux can be applied with a paintbrush, and should be applied before heating the metal. As you heat the metal with your torch, the flux will bubble and then start to look glassy. If you notice that some of the metal is not covered with flux, you might want to add a little more and then re-heat the metal.

Flux is almost always used when heating sterling silver, whether soldering, fusing, or annealing, because it helps prevent firescale from forming. It is not necessary to apply flux to fine silver when heating it, since fine silver does not get firescale. However, if fine silver is being joined with silver solder, you should apply flux to the solder and the spots that will be joined with solder.

With Argentium sterling silver, some people don’t use flux except for soldering, while some people also use flux for fusing. It is not necessary to use flux when annealing Argentium. In my personal experience, a tiny bit of flux (less than I’d use with regular sterling silver) helps a lot if I’m fusing or making ball-end headpins with Argentium.

Flux is also used when soldering gold. Since I have limited experience soldering gold, I won’t comment more on that right now. If you want to use silver solder to solder copper, using more flux seems to help, since copper oxidizes easily.

I use liquid flux. A brand I like is Batterns, and I also like a very similar product called My-T-flux. Some jewelers prefer to use a paste flux, but I find that it’s harder for me to see what I’m doing if I use paste flux. Whatever you decide, I recommend buying flux from a jewelry supply company - and make sure you get one that is intended for use with a torch. I’ve heard that people have had success making a paste flux from denatured alcohol and borax, but I’ve never tried this myself.

After you complete your soldering/fusing/annealing, you might notice that there is some glassy flux residue all over the metal. This can be removed by soaking the metal in an acidic solution known as pickle. I’ll be writing about pickle in a future article, so stay tuned!


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Care for your jewelry

Posted by Leah on May 13, 2007

It’s been a while since I last wrote about caring for jewelry - and since I use a lot of silver and pearls in my work, it seems appropriate to mention how to care for these materials.

The key to preventing tarnish on silver is keeping it clean, and storing it sealed off from air, humidity, and chemicals. Anti-tarnish cloth lining in jewelry boxes also helps.

The key to caring for pearls is to avoid contact with chemicals and anything acidic. Pearls are beautiful, but delicate, and can be damaged by seemingly innocent things like hairspray, so keep pearls clean, but avoid using chemical cleaners on them.

My favorite way to store silver jewelry is in plastic zip-lock baggies. Since I have a lot of jewelry - most of it stock that I take to art and craft shows or deliver to the stores and galleries that sell my work - I need a solution that keeps my jewelry from tarnishing but also doesn’t take up much space. Plastic bags are the perfect solution. Tupperware-style containers also work well. Pearl jewelry should be cushioned, so I recommend anti-tarnish cloth pouches for silver and pearl jewelry, especially if it is stored in a box with other jewelry items that could scratch the surface of the pearls.

Another thing that helps, and don’t ask me why, is to put a small piece of aluminum foil inside the container you use to store your silver.

It might work for the same reasons this simple recipe helps to remove light tarnish from silver jewelry (and is one of the *only* safe cleaning methods for pearl jewelry):

In a bowl, place a piece of aluminum foil. Put your jewelry on top of the foil so that the silver is touching the foil. Sprinkle baking soda on top, and add hot water. Swish the water around for a few minutes, then remove the jewelry and dry with a soft cloth.

Another useful cleaning tip: wipe silver with a polishing cloth after wearing it, and if your jewelry comes in contact with sweat, perfume, hair products, or other cosmetics, it doesn’t hurt to rinse it in lukewarm water and dry with a soft cloth. Then don’t forget to store it away from air and moisture to keep it looking shiny and new!

Some don’ts:

*don’t put on your jewelry until you are finished styling your hair, doing your make-up, etc. Chemicals in beauty products can accelerate tarnishing, and damage pearls and some gemstones
*don’t get salad dressing on your pearls. Seriously - vinegar, which is a common ingredient in salad dressing, will damage pearls. If you do spill on your pearls, rinse them in warm water and dry with a soft cloth.
*don’t keep jewelry in the bathroom - it’s the most humid part of your house, and an area that usually has the most chemicals (in the form of cosmetic products and household cleaning products, which can damage jewelry).
*remove silver and pearls before cleaning your house - again, the chemicals can damage pearls and accelerate tarnish on silver.
*don’t use a silver dip on jewelry that contains pearls, shell, stones, and other non-metal materials. Silver dips are really intended only for silver - try the baking soda and hot water rinse for jewelry that combines silver and other materials - it’s much safer, if not quite as instant.

I’m gradually transitioning from using standard sterling silver to Argentium sterling silver and fine silver, both of which are less prone (though not immune) to tarnish. I hope that by using these alloys, my jewelry will be easier to care for, so although Argentium and fine silver are slightly more expensive than sterling silver, I think it’s worth it for jewelry that resists tarnish and therefore looks new much longer.


A Note About Argentium Silver

Posted by Leah on Feb 21, 2007

Argentium silver is my current favorite metal to work with. It resists tarnishing, which means less maintenance for both me and my customers. It also fuses better than traditional sterling silver, which makes a lot of the metalwork I like to do easier.

I just heard that in a recent Lapidary Journal, an article stated that Argentium does not contain copper. This is incorrect - Argentium silver does contain copper (as does traditional sterling silver - copper adds some hardness and durability to silver, which is desirable in finished jewelry) but a little bit of the copper is replaced with germanium. Germanium reacts with the air to form germanium oxide at the surface of the metal, which is what helps slow or prevent tarnish.


Natural Silver Specimens

Posted by Leah on Sep 26, 2006

Considering how much time I spend working with silver, on an almost daily basis, you’d think I might have spent some time learning about where silver comes from, and what it looks like naturally.

For whatever reason, it never occurred to me. I grew up in California, and spent time as a child touring the gold country, so I’ve seen my fair share of gold nuggets, but not silver. Over the weekend, I ran across an article about natural silver in an old copy of Lapidary Journal (from around 5-6 years ago) that featured some images of natural silver. It’s beautiful! The specimens shown in the magazine reminded me of roots, or vines, the way they seemed to be growing and twisting around each other. They were like intricate little organic metal sculptures; in other words, the exact kind of imagery that has inspired many of my silver wire designs. I had no idea I was immitating nature in such a literal sense! Of course, now I’m even more inspired to work on fused silver sculptures, with the images of silver specimens in my mind as inspiration.

Anyway, here are some links to pictures of silver specimens. In addition to the vine-like sculptural specimens that inspired me to look, it comes in various crystal formations too.

Google image search for “Silver Specimens”
mineralgallery.com
irocks.com